Front Page Adweek: #KingstacheChallenge simply encourages men to grow their own epic staches and share on social media with that hashtag.

Front Page Adweek: #KingstacheChallenge simply encourages men to grow their own epic staches and share on social media with that hashtag.

"Driven by Will Dagger’s mobile and prickly lead performance, NAPOLEON has the good sense to wear its fantasy frame lightly, leaning instead on Norman Lear-esque living room realism as it follows the kind of family conversation that’s easy to avoid but impossible to escape."

"Driven by Will Dagger’s mobile and prickly lead performance, NAPOLEON has the good sense to wear its fantasy frame lightly, leaning instead on Norman Lear-esque living room realism as it follows the kind of family conversation that’s easy to avoid but impossible to escape."

"With it’s laser-wielding dinosaurs and underwater/outer-space adventures, the director’s earlier film was a complex production of set-building, green-screen, puppets and miniatures. His latest film was shot over the course of 3-nights in 2 different locations (the house and the forest). This more simplistic approach certainly doesn’t mean Napoleon In Exile packs any less of a punch than Tommy Chaos though, in fact, probably quite the opposite. Where Litwak’s earlier short dazzled with its impressive aesthetic, this is a film that impacts due to its strong performances and emotive, relatable themes."

"With it’s laser-wielding dinosaurs and underwater/outer-space adventures, the director’s earlier film was a complex production of set-building, green-screen, puppets and miniatures. His latest film was shot over the course of 3-nights in 2 different locations (the house and the forest).

This more simplistic approach certainly doesn’t mean Napoleon In Exile packs any less of a punch than Tommy Chaos though, in fact, probably quite the opposite. Where Litwak’s earlier short dazzled with its impressive aesthetic, this is a film that impacts due to its strong performances and emotive, relatable themes."

"There were many directors, but there’s no one episode that was shot by one director. It’s more of a team effort. We had to put a different person’s name on each one. The whole concept of how we put this together—because this kind of work in VR hadn’t been done—I wanted to create a film school type environment. Film school to me is collaboration, and it’s filmmakers learning from fellow filmmakers, so I looked at and brought in Jerome (Sable) and Michael (Litwak), who had made short films that I thought were really creative and imaginative, and we became the first three students of a film school class."

"There were many directors, but there’s no one episode that was shot by one director. It’s more of a team effort. We had to put a different person’s name on each one. The whole concept of how we put this together—because this kind of work in VR hadn’t been done—I wanted to create a film school type environment. Film school to me is collaboration, and it’s filmmakers learning from fellow filmmakers, so I looked at and brought in Jerome (Sable) and Michael (Litwak), who had made short films that I thought were really creative and imaginative, and we became the first three students of a film school class."

INVISIBLE Season 1 goes live on JAUNT

INVISIBLE Season 1 goes live on JAUNT

"But story specifics are likely to take a back seat to the question of whether narrative can work in VR in the first place. Liman and the other directors use many of the techniques familiar to TV audiences. Eschewing the wisdom that editing in VR can look like teleportation or induce dizziness — and that pacing needs to be slowed down in a medium this immersive — "Invisible"  moves ahead full-throttle, packing each short segment with all the turns of an hourlong TV episode."

"But story specifics are likely to take a back seat to the question of whether narrative can work in VR in the first place. Liman and the other directors use many of the techniques familiar to TV audiences. Eschewing the wisdom that editing in VR can look like teleportation or induce dizziness — and that pacing needs to be slowed down in a medium this immersive — "Invisible"  moves ahead full-throttle, packing each short segment with all the turns of an hourlong TV episode."

CHAOS & DANGER BTS featured on Vimeo Video School.

CHAOS & DANGER BTS featured on Vimeo Video School.

INVISIBLE VR TRAILER PREMIERE - WIRED

INVISIBLE VR TRAILER PREMIERE - WIRED

"Michael Lukk Litwak takes the audience on a wild ride with his quirky characters and inventive storyline. Litwak expands on the inspiration behind his work and what was required to bring his submarine set to life."

"Michael Lukk Litwak takes the audience on a wild ride with his quirky characters and inventive storyline. Litwak expands on the inspiration behind his work and what was required to bring his submarine set to life."

UPLOAD VR: “This series lets us at Jaunt do more of what we like to do with immersive storytelling while moving us into longer-form content,” Plumer said. “Instead of one 60 or 90-minute experience we decided to do it episodically.”

UPLOAD VR: “This series lets us at Jaunt do more of what we like to do with immersive storytelling while moving us into longer-form content,” Plumer said. “Instead of one 60 or 90-minute experience we decided to do it episodically.”

Doug Liman (Edge of Tomorrow/Gambit/Bourne Identity) teams up with CONDE NAST, SAMSUNG, and JAUNT VR to shoot INVISIBLE VR, a 6-part scripted VR series. Directed by Doug Liman, Michael Lukk Litwak, Jerome Sable. Written by Melisa Wallack (Dallas Buyers Club), produced by Julina Tatlock.

Doug Liman (Edge of Tomorrow/Gambit/Bourne Identity) teams up with CONDE NAST, SAMSUNG, and JAUNT VR to shoot INVISIBLE VR, a 6-part scripted VR series. Directed by Doug Liman, Michael Lukk Litwak, Jerome Sable. Written by Melisa Wallack (Dallas Buyers Club), produced by Julina Tatlock.

"Litwak's film is delightfully theatrical and wins you over with over-the-top costumes, fantastical set pieces, a swirling folk opera score, and deadpan dialogue."

"Litwak's film is delightfully theatrical and wins you over with over-the-top costumes, fantastical set pieces, a swirling folk opera score, and deadpan dialogue."

"simultaneously absurdly hilarious, and charmingly real, with a fun sci-fi edge to boot"

"simultaneously absurdly hilarious, and charmingly real, with a fun sci-fi edge to boot"

"Sometimes a film charges out of the gate, knocks you on your ass and says "Get Up. Let's ride." When you encounter such a film, the critical part of your brain cedes control to the reptilian."

"Sometimes a film charges out of the gate, knocks you on your ass and says "Get Up. Let's ride." When you encounter such a film, the critical part of your brain cedes control to the reptilian."

"Really, it's just ridiculous fun to watch these two impossible heroes and their bumpy romance."

"Really, it's just ridiculous fun to watch these two impossible heroes and their bumpy romance."

"Entirely unique and fun in it's own way"

"Entirely unique and fun in it's own way"

"Come for the romance, stay for the dinosaurs and megasharks."

"Come for the romance, stay for the dinosaurs and megasharks."